Bangkóta By Haliya
Bangkóta welocomes visitors to the plaza, offering the conviviality of the Philippine commons. typically the heart of any town, the Filipino plaza draws form from both Spanish and American colonial town design. But for this Philippines Pavilion, the plaza is graced by precolonial methodology. Sculptor Duddley Diaz conjures a female figure from oral literature. Her name is Haliya and hers is typically a pregnant form. In Diaz Sculptural networking, Haliya is massively blue. Her size intends to confront the world of the 21st century with a monunmental commitment to ;ife giving Haliya, channeled by Diaz, skips the written word and speaks directly: myth matreializes.
